Showing posts with label 1990's. Show all posts
Showing posts with label 1990's. Show all posts

Friday, July 13, 2012

The Smashing Pumpkins - Gish (1991) - Psychedelic, Alternative Rock, 1990's


The Smashing Pumpkins, unlike their grunge neighbors of the time, were diverse in the way they projected music. They used elements of 1960's rock, including psychedelic and also fused those elements with the elements of alternative rock of the time. They weren't exactly a "grunge band" and weren't labeled as one really, but they sure did sound like one at times. And many grunge lovers loved The Smashing Pumpkins for their dirty feedback, catchy guitar riffs and poppy lyrics.

Billy Corgan is the creative force in the band and strives and shines in "Gish", the band's debut album. Released before "Nevermind", "Gish" paved the way for many artists of the 90s as well as today, much like Nirvana did with grunge.

The Smashing Pumpkins most always take the "soft-loud-soft" approach on their albums and start "Gish" off with a hard rock number, "I Am One" and "Siva" and transform into dream pop with "Rhinoceros", which quickly gains back its heavy, loud feel by the end of the song and into "Bury Me".

Corgan's vocals are very unique and unlike anything that I've personally ever heard. D'arcy, the band's former bassist, said it best in a 2009 interview on Chicago radio, his voice is very unique, and different, but spectacular.

"Crush" (And this feeling shivers down your spine/Love comes in colors I can't deny) and "Suffer" have the same vibe throughout, very mellow and throat cuttingly deep.

"Snail" starts off slow but works its way up and soon takes us into "Tristessa", another hard rock song that has a catchy guitar riff with awesome vocals by Corgan.

"Window Paine", much like "Snail", starts slow and works it way up. And the solo Corgan sings in the middle of the song, is extremely amazing and sends chills up your spine.

"Daydream" is my favorite track on "Gish". Sung by Pumpkins bassist, D'arcy, the song is painfully deep but utterly amazing. And even includes a cello and violin section, which adds icing to this already delicious cake. This song gives you a glimpse of what The Smashing Pumpkins will do in the future with songs such as "Disarm" and "Tonight, Tonight".

A few seconds after "Daydream", a 1 minute hidden song entitled, "I'm Going Crazy", which according to Billy, was written in a matter of 5 minutes and captures a picture perfect essence of what exactly will be next for the Pumpkins once it ends.

"Gish" should not be passed up and, for new fans, should be the first Pumpkins album to look into, to understand how the band developed and morphed as they worked their way into "Siamese Dream", "Mellon Collie and the Infinite Sadness", and future albums ahead.
The Smashing Pumpkins is a unique band and is an essential band that paved the way for 90s rock.**

Album rating: 9.0

Wednesday, June 20, 2012

"The Beavis and Butthead Experience" (1993) - 1990's Rock, Heavy Metal, Grunge, Punk, Hip Hop, Pop


One thing is for certain. When you think of the 90's, you think of MTV, and when you think of MTV, you think of "Beavis and Butthead". Two dim-witted teenagers performing foolish and stupid antics in each episode, sitting at the couch watching TV and commenting on the music videos of the time. They tackled mainly rock music, but they also commented on others including pop and hip hop. The show was a great success among teenagers at the time but parents weren't so pleased with the show's over usage of violence and sexual innuendos. But at the same time, for me, being a teenage boy, made me laugh a lot when I watched it. Because, let's face it, my friends sometimes act as stupid as Beavis and Butthead.

So it wasn't surprising that MTV would make a compilation album surfacing around the commentary of the two boys. Geffen Records, produced the record and made out a list of songs that would be chosen for the album. Many of these tracks were unreleased prior to the release of this album including "Deuces Are Wild" by Aerosmith and "I Hate Myself and Want to Die" by Nirvana.

Throughout the CD, between each song, you would get a commentary of Beavis and Butthead, describing how "cool" it is and how "kickass" it was! Sometimes even making out a complete skit, such as one where Beavis and Butthead meet the members of Anthrax and Run DMC.

The album is very diverse. There's the obvious stuff such as the grunge music, Nirvana's "I Hate Myself and Want To Die", which was a track made for their final album "In Utero", but never made the cut. Kurt Cobain, lead singer of Nirvana, was offered $60,000 for the song to be featured in the "Beavis and Butthead Experience" album. He obviously accepted the offer. The song definitely sounds like an "In Utero" track. Dirty, grungy, and noisy. Which is why I love this track and bought this CD in the first place!

Red Hot Chili Peppers also contributed a track for the album. A Stooges cover, "Search and Destroy". The song really shows off the band's heavy influence from punk rock and how it molded their "funk meets punk meets grunge" standards.
Aerosmith's "Deuces Are Wild" was also contributed to the album. "Deuces..." was left off from their 1989 album "Pump".

There's also those heavy metal numbers from bands such as Anthrax, Megadeth, and White Zombie.

In the mix as well includes a R&B type "song", "Come to Butthead". A hilarious number where the boys rant about their obsession and craving for sex. "I would like, do something that really sucks, for your love..." as Butt-head exclaims in the song!
There's also a redux version of Cher's "I Got You Babe" featuring Beavis and Butthead.

No matter if you're solely a grunge fan, a punk fan or heavy metal fan, this album is for you!

I found my copy of this CD for just $2 at my local Goodwill. It was totally worth it!
Most copies of this CD go cheap online and in thrift stores and flea markets! So it's well worth cash, even if you're getting the CD solely for the Nirvana track, like I did, or for the Run DMC or Aerosmith track!

It's a great album, simply put! I would say that it would be great to see a Part 2 for this album, seeing as "Beavis and Butthead" has returned to MTV, however the album would probably be geared more toward dubstep and pop royalties than those from rock. **

Friday, April 27, 2012

Hole - Live Through This (1994) - Grunge/90's Alternative

It's hard to believe that 18 years has passed since this album was released. Much less 18 years since Kurt Cobain died. Now you know we can't talk about LTT without bringing up Kurt. Now I don't believe those stupid conspiracies about Kurt writing this album. This stuff doesn't really sound like lyrics from "In Utero" or "Nevermind" or even "Bleach" for that matter, in my opinion. And we all know "Violet" and "Doll Parts" were both written before she dated Kurt; in fact, "Violet" was written after her stint with Smashing Pumpkins frontman, Billy Corgan. But believe it or not, Courtney listened to Nirvana, she heard Kurt play his music while at home and on the road and both Kurt & Courtney pretty much had the same taste in music. So it's understandable to think that Kurt wrote "Live Through This", however I beg to differ.
Hole had released one record previously. The raw, dirty, "rough all around", "Pretty on the Inside". And with all intents and purposes, it sounds totally different than "Live Through This" and many early Hole fans in 1994 didn't want to accept this new, poppy, soft, clean grunge, if you will, that was "Live Through This". It was like a transition from Nirvana to Foo Fighters, very noticeable, very crazy, and you can tell Courtney struggled to find a sound or an edge that suited her very well. And I believe she still struggled with it for many years.
Now mind you, "Live Through This" is a great, fantastic album. One of my favorites of all time. In this album, Courtney still has her rough edge, like in the first Hole album. That raspy, grungy voice of her's is still as prevalent in 1994 as it was in 1991. But the sound of ecstasy "Sonic Youth like" guitars or the "Sub Pop sound" of the late 80s and early 90s that was POTI was now being replaced by a "Nevermind" like, DGC sound; dirty but not as rough around the edges. "Live Through This" is no "post grunge" album by no means. And it's not lacking any common ground that was found in grunge or 90's alternative rock albums. But you can tell, pop influences were surrounded a lot more in this record. And I enjoy pop, not today's pop but you catch my drift.
"Live Through This" was released April 12, 1994; four days after the lead singer, Courtney Love's husband Kurt Cobain of Nirvana committed suicide in Seattle.
The album starts with a revenge-y number, "Violet" which as pointed out before, was written about Courtney and Billy Corgan's relationship before Courtney married Kurt. This song along with two other songs on this album were popular on modern rock radio and MTV in 94 and 95 along with "Doll Parts" and "Miss World". "Violet" is your typical Courtney Love song ("When I get what I want/I never want it again") but still a masterpiece at best. It's a great intro for what's to come on the album.
Next we have "Miss World". We know every girl, at least once in her life, have had self image issues. This is exactly what this song touches on. The perfect outlet for any girl (or guy for that matter) to relate to in some way. The lyrics alone give you goosebumps for anyone feeling like they wanted to die in their own skin ("I'm Miss World/Somebody kill me/Kill me pills/No one cares").
After the somber tone of "Miss World", we walk into "Plump". One of my favorite tracks on this record. "Plump" touches on weight issues and bulimia ("They say I'm plump/but I throw up all the time"). At first glance, Courtney Love knows exactly what it's like to be on the dark side of girldom. And she already had a rough life; abandonment from parents, drug abuse and working as a stripper and becoming a D-rated movie star in the late 80s.
"Asking For It" was written about an incident that happened in the early 90's at a Hole concert; where Courtney was almost raped.
"We had just gotten off tour with Mudhoney, and I decided to stage-dive. I was wearing a dress and I didn't realize what I was engendering in the audience. It was a huge audience and they were kind of going ape-s**t. So I just dove off the stage, and suddenly, it was like my dress was being torn off of me, my underwear was being torn off of me, people were putting their fingers inside of me and grabbing my breasts really hard, screaming things in my ears like "pu**y-wh**e-c**t". When I got back onstage I was naked. I felt like Karen Finley. But the worst thing of all was that I saw a photograph of it later. Someone took a picture of me right when this was happening, and I had this big smile on my face like I was pretending it wasn't happening. So later I wrote a song called "Asking For It" based on the whole experience. I can't compare it to rape because it's not the same. But in a way it was. I was raped by an audience, figuratively, literally, and yet, was I asking for it?" - Courtney Love.

"Jennifer's Body" is a juicy number. It's like a scene out of a thriller movie, really puts you in the shoes of a torture/murder victim. In fact, yes, the 2009 film of the same name starring Megan Fox, is based loosely on this song. And "Violet" is featured in the end credits of the movie, according to the Wikipedia article. The producer is a huge fan of Hole.
"Doll Parts" is one of the more popular songs by Hole. Written before Courtney and Kurt were dating, Courtney tries her best to be with Kurt. Sending heart shaped boxes (sound familiar?) and miniature toys, candies, and flowers. All to get no answer from Kurt. So as a result, "Doll Parts" was written. The structure of the sound, the pain is A+ and you can feel it in every breath Courtney takes. To top it off, the wailing of Courtney exclaiming "Someday you will ache like I ache" instantly puts your heart, body, soul and not to mention, your eyes, on total meltdown. Courtney does a fine job of transferring her pain, anguish, angst, as well as rage and hatred against the world into the ears of the listeners. And allows others to feel like they're in Courtney's life for 40 minutes or so.
"Credit in the Straight World" is an old cover from Young Marble Giants. The original sounds very hipster-ish, almost punk, and acoustic as such. But add Courtney's raspy flair, the guitars of Kristen Pfaff and Eric Erlandson and the banging of Patty Schemel's beats, and you've got yourself a grungy/very 90's number. Hole makes this their own with their punk roots and charm.
"Softer. Softest" is like "Doll Parts" Part 2; starting right where it left off. Courtney expresses her hatred for pee girls and sour milk; it's goosebump worthy. The tone, the mentality of "Doll Parts" are still intact in this song. Water works are all up in this record. Don't be surprised if you need a Kleenex or two.
"She Walks On Me" is an ode to early/post punk. Back when the Ramones, Sex Pistols and The Wipers made themselves at home. This is where Courtney still proves to her listeners, she still hasn't lost her early Hole roots... yet! She still has her edge, but she's growing up from her babydoll days. But yet somehow, she was still comfortable with it in 1993 and 1994. It's definitely a punk song, for sure, with plenty of fast riffs and screams to make you get up and bang your head!
"I Think I Would Die" is possibly my favorite on this record. It's definitely the song for rebellious teenagers, faced with being forced to fit in with the conformity of high school kids. Forced to wear the same clothes as the preps, listen to the same music as the other kids, that kind of thing. An already good song, the F-U makes this song 10 times better! It was the cherry on top of an already delicious ice cream sundae! The Hole crew is at their best here!
"Gutless" is a step down from the last track, but still great in it's own right. It's contradictory and very Nirvana like. Like a track off of "In Utero" except instead of Kurt, we have Mrs. Cobain in his place.
The final track is labelled as "Rockstar", however, the track is really called, "Olympia". The reason? Courtney wrote Rockstar, before the death of Kurt. Included is a verse that goes "How'd you like to be Nirvana/I guess you'd rather die". Courtney thought it would be in bad taste, as Kurt died 4 days before the record was released. And opted to replace the song with another one that didn't make the cut. However, since labels, sleeves, and CD's were already manufactured, many people believe "Olympia" is actually called "Rockstar", but don't let it fool you.
But "Olympia" touches on life as a teenager growing up in Olympia, Washington in the 80's; where everyone knew the music scenes of Washington, wore the same clothes, talked the same, acted the same, you catch my drift. A punk song about the grunge scene? Way better than the original, proposed track in it's place! It should've been the first choice, but hey, we're not complaining now are we?
So in a nutshell, "Live Through This" is one of those records that defined the 90's. And inspired many future musicians. It's possibly Hole's best record, according to critics and fans.
After the album was released, however, Courtney wasn't relishing in the success of the record, due to the death of her husband and soon went downhill. And bassist, Kristen Pfaff died in the summer of 1994 from a heroin overdose and was replaced by Melissa Auf Der Maur. Who stayed with the band until 1999. As a result, Courtney's heroin addiction returned, she relied on the booze once more. Most of the time while on tour for the record, she was often high or drunk and slurring the vocals and causing scenes with fans and even went off on someone that threw water at her and screamed out she killed Kurt.
In 1995, at the MTV VMA's, she threw her compact at Madonna (which was very hilarious, I must admit), got on stage to perform, nonetheless, drunk as a skunk. And by the end of the night, flashed her lady parts to the press and was eventually drug out of the red carpet, passed out, by her fellow bandmates.
Although Courtney seemed to be going the same route as her husband, she turned herself around. And in 1996, starred in the film, "The People Vs. Larry Flynt" and released the "post grungy" record, "Celebrity Skin" in 1998.
So should you buy this record, if you don't already have it? Why of course you should have it! You would have to have no life to not have this masterpiece of a record. However, don't hold me accountable when you start bawling like a baby when you hear "Doll Parts" **